Regarding FULL FRONTAL :

…Steven Soderbergh chose Jacques Davidovici, a French composer who has already written the music for 35 films and who signs here his first score for a U.S. film. We still have in mind the elegant (and highly efficient) use of the music in « TRAFFIC ». With FULL FRONTAL, Soderbergh shows one more time his taste for an "ecological" use of music in a film. Elegance, efficiency, sobriety seem to be the key words of his musical choices. So many adjectives that could be used to define Jacques Davidovici's music which –despite a rather reduced timing- manages to bring a sensibility and a point of view that definitely contribute to the balance of the film…
CINEMUSIC

…"Full Frontal" and "Day for Night" Are Hardly Night From Day Not only are both Soderbergh's and Truffaut's comic films about moviemaking, but Roberts wears an identical shag wig to the one worn by Jacqueline Bisset. And both actresses play actresses who throw diva hissy fits over craft services. Bisset's character demands real country butter, while Roberts' fusses over the celery in her tuna salad sandwich. Plus we couldn't help but notice that Jacques Davidovici's lush classical interludes are tres reminiscent of Georges Delerue's score in the 1973 film…
LOS ANGELES TIME


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